2019 / 2020

Happy new year to all of you!

I would like to take some time to shortly resume my past musical year and look forward to some exciting things to come for 2020. Follow the links for more details.

Planet of the Arps (and Schallwelle Awards pre-nominitions)
In April my ambient side-project "Planet of the Arps" was released.
The well-received collaboration with Wolfram Spyra and Roksana Vikaluk is also in the pre-nomination list of the annual Schallwelle Awards. You can vote for the album or me as artist: www.schallwen.de/swvoting/en

Ars Phantasia
At the same time the piano album "La Papillone" by Ars Phantasia was added to the Deserted Island Music shop. Although not directly in line with the electronic music my label deals with, it has a lot of connections with the traditional electronic music scene. Including artistic collaborations by Francis Rimbert and Michel Geiss, who are also known for their work with Jean Michel Jarre.

Exhibition of Dreams
On December 22nd, two decades passed by since my debut album "Exhibition of Dreams". For the occassion of this 20th anniversary celebration there have been released limimted edition boxsets. Read more about it on my blog.







New solo and Mäläskä albums
In my first blog of 2019 I announced a new studio album, as well as the second Mäläskä release. Both didn't happen before the end of the year.
First, the new album has been postponed, because of the 20th anniversary releases of my debut album "Exhibition of Dreams". The upcoming "The Other Side" is now scheduled to be released on April 11th. Coming weeks, until the release of the new music, I will post more about this on this blog, social media and www.desertedislandmusic.nl.

Then, the follow-up of Mäläskä's "Uncle Jim's Cidney Factory" (2016) is finally being worked on.
One month ago, Petter and I did a lot of sessions during a weekend in Friesland. From the 11 hours we recorded, a selection has been made. Which will be the upcoming album release. As we are currently in the mixing process, I can't say much about it yet, with the exception that it will be one long trip, and actually not at all in line with our debut album or recent concerts.

Space Art
After more than two years of 'silence' Space Art is back with brand new music! Dominique Perrier asked me to have an exclusive Dutch vinyl release of the new Space Art album "Entrevues". Further details and plans will be announced later, but the new music is going to be available from Deserted Island Music, also somewhere in the first quarter of 2020.
I have already heard the music, and if you love the early Space Art sound and compositions, you will adore this one. With participation of Tommy Rizzitelli. His way of drumming definitely reminds of his father's style. A real treat.

And more...
And, for what is currently scheduled, there should also be released another (Berlin School-like) project I am currently producing. So, concerning new music and releases, a lot is coming up.

Then, on personal level, I am aiming to get involved into music more than ever before. Let's see what 2020 has to offer!

Planet of the Arps

It's been a while ago since 2017's "Return of Planet X".

Now, in 2019, it is finally time again for a new release. To start with.

To kick off, I am presenting a project of 8+ years in the making: my ambient side project "Planet of the Arps". Featuring Roksana Vikaluk and Wolfram Spyra.

Back in July 2010 I recorded the first version of an ambient music piece. It became a trip of one hour which might be at some points in the line of my solo work, but I decided that this project was about to be presented as an ambient side-project. To be called “Planet of the Arps”.

The name refers to the musical phenomenon arpeggio (whether or not produced by an arpeggiator), Halton Arp and his Atlas of Peculiar Galaxies, Alan R. Pearlman and his legendary ARP-synthesizers, and it might be clear that it also winks to the “Planet of the Apes” science fiction franchise.

Flyer for the Planetarium
Bochum concert.

As soon as the first version of the music piece was recorded, I had in mind to involve a fellow musician to contribute to this project, as I felt it needed an extra touch before it eventually could be released.
When the Ricochet Gathering event took place in Berlin, in October 2010, I asked Wolfram Spyra to be part of this ambient work. Although ‘Der Spyra’ wanted to work on it, there seemed to be lack of time, and above all we both had other priorities at that moment. The project was set aside for the time being.

When I was invited to perform at the Zeiss Planetarium in Bochum (Germany),  September 15th 2012, I decided to perform this particular piece of music. Simply because it was about to fit perfectly on this location. Some additions and edits were made, and during this solo concert version 2.0 was established.

Wolfram Spyra, Roksana Vikaluk and Remy performing
"Planet of the Arps" live at the Ruïne van Brederode.

Then, almost two years passed since then, when I organised a concert evening at the Ruins of Brederode in Santpoort-Zuid (Netherlands), June 27th, 2014. For the line-up I programmed my band at that time, Free Arts Lab, as well as Wolfram Spyra.
To conclude the evening, the idea came in mind to do an improvisation around an edited version of “Planet of the Arps”.
Which took place in a different way I had in mind. Due to circumstances there was no time to rehearse the collaborational session, and just before the show it was decided that Spyra’s partner in crime and singer Roksana Vikaluk was about to join. Resulting into a 20 minutes live version of “Planet of the Arps”, in an entirely improvised setting. The outcome was, so to say, really exciting. Musically, as well as atmospheric, everything seemed to fall into its place.

"Planet of the Arps" cover artwork.

Hereafter it again took a while - more than 4 years - before it was decided that “Planet of the Arps” should get the release in its current form:
The original piece, remixed and sublemented with elements from the live performances.
Let’s see it as a project which needed this time to evolve, and to result into the version to be heard on this “Planet of the Arps”.

"Planet of the Arps" is available for pre-ordering from www.desertedislandmusic.nl.
Release date is April 6th, where the cd will be presented at the E-Day Festival in Oirschot.

From this point on, stay tuned for more exciting upcoming news.
Including the celebration of the 20th anniversary of my debut "Exhibition of Dreams" later this year, as well as an entirely new REMY solo studio album.

Schallwelle Preisverleihung 2015

Yesterday, it was time again for the annual Schallwelle Preisverleihung, at the familiar location of the Zeiss Planetarium in Bochum, Germany. As part of the tradition, I went there again with Michel van Osenbruggen (Synth.nl).
Before, in between and after the ceremony, there always is enough opportunity to meet up with people, friends and fellow-musicians.

The evening consisted of three parts: the first part featured an excellent performance by Picture Palace music and the first part of the Awards ceremony. The second part consisted of a nice concert by René Splinter and friends and the distribution of the remaining Awards. And the third and final part was dedicated to the Lifetime Achievement Award, which was addressed to Edgar Froese. Due to Edgar's recent passing, this year's ceremony had emotional accents.

My band Free Arts Lab was on the pre-nomination list, but didn't reach the final selection of nominees, unfortunately.
See the entire list of winners and nominees here: http://www.schallwelle-preis.de/

I already did it in person yesterday, but again: Congratulations to all winners!

Then I also met up with Wolfram Spyra, and discussed about the "Planet of the Arps".
I wrote and recorded the first version of this ambient piece back in 2010, and performed it for the first time in 2012, as solo-concert on the same location as yesterday's Schallwelle Preisverleihung. From the very beginning of the evolution of this piece I had in mind that this should be a collaboration with Wolfram Spyra. Then, last year, at the Ruins of Brederode, Wolfram and his girlfriend (and half of Moon & Melody) Roksana Vikaluk, and me performed an excerpt of this piece, fully improvised, using elements from the original piece.
Although we made satisfying recordings of this performance, and this piece definitely might be worth sharing it with the world, I still feel the need to rework and release the entire original one-hour piece (instead of only the half of it, which we did so far). So hopefully there will finally be an opportunity to work on this somewhere this year!

Me, Thorsten Quaeschning and Eric van der Heijden.

And last but not least, we have a picture of three handsome long-haired men!

"Chill at the Castle - Electric Edition"

Last Friday "Chill at the Castle - Electric Edition", at the Ruïne van Brederode (Santpoort-Zuid), took place.
In advance the weather circumstances were rather uncertain, at least for the amount of rain that eventually could fall. Something we absolutely had to keep an eye on because it concerned an outdoor-event.
During the morning and afternoon we built up all equipment and organised the stage.
It was quite a challenge to get everything to the ruins (and even more to get things back to the cars in the dark) because of the long sandy pathway and the small bridges, across which our stuff had to be transported.

'Master of ceremonies' Bob Rusche.

18:30 the first audience entered the venue. Around 19:45 the evening was kicked off by 'master of ceremonies' Bob Rusche. As soon as he finished his announcement for Free Arts Lab - the first act of the evening - I touched the first keys. While I did, a buzzard flew across the audience twice (as planned). The bird left the scenery and the actual concert started.

Already very early during the set it became clear that there was something wrong with the drummer's sound. Unexpectedly, because during the sound-check everything was fine-tuned.
It took a while before the main issues had been solved, but after this the rest of the gig went fine (as far as I could judge from our stage position).

Free Arts Lab.

Due to this issue it took some effort to get our concentration and the required vibe.
With the third track the issues seemed to be over for the largest part, and we finally could focus on our performance. Which actually was the second gig we ever did so far within the 6 months since the band's establishment. During our first improvisation another bird (this time an eagle-owl) flew over the audience. And two tracks later a screetch owl.

Free Arts Lab tracklist (approx. 70 minutes):
1. Awakenings - part 3; 2. E-Live 2013 - part 3-2; 3. Improvisation; 4. Zeequence 2; 5. The Great Escape; 6. Zeequence 3; 7. Improvisation; 8. MMIX a.D.

Then a break and time for another bird show, which was initiated by my wife Paulien, to give some extra over-all atmosphere.

Wolfram Spyra.

After the break the master of ceremonies announced Wolfram Spyra. The audience was told that Spyra's new release "Staub" was delayed until September, because of technical artwork issues.
This evenening we 'had to do it' with the integral live performance (which was improvised for a large part) of the entire album.
With "Staub" Wolfram returned to his roots and exposed minimal but very strong compositions which were being strengthened even more when the sun appeared behind the horizon. Shortly after Wolfram kicked off his set, the dusk allowed the lights to do their work and create maximum atmosphere. Within a short time the real magic was about to begin.

Wolfram Spyra tracklist (approx. 65 minutes):
1. Dusk; 2. Staub; 3. Glacier; 4. Etude; 5. Ecce Homo; 6. Flur.

Planet of the Arps.

And then, contiguous: "Planet of the Arps".
An ambient piece I wrote more than 4 years ago, and since it had already been accomplished, I had the intention to let Spyra rework it.
Read my previous blog for details.
Due to both our busy schedules it took until last Friday that our first collaborational attempt on this project finally took place.
While we planned to prepare this piece a couple of days before the performance, it never came this far.
Last Friday our collaboration consisted of 100% improvisation around the basic tracks I provided Wolfram a while ago.
Finally these tracks were remixed in realtime live on stage by Spyra. On top of this we both added parts and solos. On the very last moment we decided that Roksana Vikaluk (Wolfram's girlfriend and half of 'Moon & Melody') should also participate with her sublime vocals on the 'grande finale'. It really was a great experience and a pleasure to create music together with Wolfram and Roksana in these circumstances.

The version of 'Planet of the Arps' which we performed consisted of a 22 minutes excerpt from the original one-hour piece.
"Chill at the Castle - Electric Edition" ended slightly past 23:00.

In the end the weather gods had all the best with us, and eventual showers that could have struck us, moved into some places which were a couple of kilometres away from us. So we were blessed with a wonderful summer evening, which we shared together with around 100 visitors.

Paulien with eagle owl Ruud.

Thanks a lot to all the present (international) audience and everyone who contributed and supported.
I would also like to take the opportunity to thank some people in particular:
- In the first place: Dimitri Arpad for his co-operation and the opportunity to organise this evening at the wonderful and magic location of the Ruïne van Brederode.
- Marcel Sukel and Nathalie Nijman who arranged some very significant last-minute issues.
And not in the last place all other volunteers at the ruins.

Illuminated Ruïne van Brederode.

- The musicians: Jeroen Hagen, Martijn Scholte, Wolfram Spyra and Roksana Vikaluk.
- Sound, light and recording crew: Renato Cannavacciuolo, Rogier Gieske, Wouter Bessels, René Bussing and everyone at Showgroup.
- The birdshow: Mart Schrieken (assisted by Paulien Bouw).
- Paulien Bouw for her infinite support and assistance, as well as the initiative and cooperation for the birdshow.
- 'Master of ceremonies' Bob Rusche for announcing the individual concerts.
- Crew: Paulien Bouw, Ray Korsman.
- Film and photo crew: André Stooker, Selmar Koek, Mellanie Swart.
- Everyone who promoted and supported this event.
And indeed all of you who I forgot to mention!

Now it's time to work on other projects. Later this year we will look for the opportunities for an eventual continuation of "Chill at the Castle - Electric Edition", in 2015.

The above featured photos have been taken by Phil Booth (1-4), Anke Betzler (5) and André Stooker (6).

"Chill at the Castle - Electric Edition" - Planet of the Arps

Only 2 days to go to the concert evening I am organising at the Ruïne van Brederode, so recently I have written some blog items about this upcoming event and related activities.

Last time I already supplied all global details and information about the event, and last week I also wrote about the performing artists Free Arts Lab and Wolfram Spyra. Now it's time to light out the final act: Planet of the Arps.

The "Planet of the Arps" project actually started as an ambient music piece I composed and recorded back in 2010.
Because the music is slightly outside the REMY-tradition, I decided to use a pseudonym for this project.
As soon as the first version of the project was finished, I got in touch with Wolfram Spyra and asked him if he wanted to 'do something' with this 1-hour piece. Although the piece was actually finished, it missed something I couldn't add myself at that moment.
In 2012 I performed the new version of the original piece, during a solo-concert at the Zeiss Planetarium in Bochum (Germany).
Wolfram and I have both been too busy with our own activities and projects, so that it didn't come to work on this track together until date. After the four years that passed by, the first collaborational offend finally will be a fact in the form of a live rework of a large part of the latest version of "Planet of the Arps".

"Planet of the Arps" refers to the science fiction movie "Planet of the Apes", arps (galaxies) as collected by Dr. Halton C. Arp, synthesizer manufacturer Arp, and the musical term 'arpeggio'.
The concept artwork below, which is being used to represent "Planet of the Arps", is a digital creation which I also made in the period of the first version of the project.

From the "Chill at the Castle - Electric Edition" press information:

As the ‘grand finale’ of this evening at the ruin, Wolfram Spyra will join Remy Stroomer for a real-time rework of Remy’s one hour ambient piece “Planet of the Arps”.
This original composition dates from 2010 and has been performed live by Remy at the Zeiss Planetarium in Bochum (Germany) in September 2012.
From the time the musical piece was finished, Remy wanted Wolfram to rework this track.
Now, four years later, this project has finally brought both artists together and an excerpt of this piece will be created live at the ruin.

For all information about "Chill at the Castle - Electric Edition" and ticket sales:
www.desertedislandmusic.nl/brederode

"Chill at the Castle - Electric Edition" - Wolfram Spyra

Only 5 days to go to the concert evening I am organising at the Ruïne van Brederode, so the coming
time I will write some blog items about this upcoming event and related activities.

Recently I already supplied all global details and information about the event, and last week I also wrote about the openings act: Free Arts Lab, so now it's time to light out Wolfram Spyra.

There are actually two main reasons that I chose for Spyra's appearance at "Chill at the Castle - Electric Edition". The first is that it coincides perfectly with the project I have had already in mind for a couple of years: "Planet of the Arps". Details about this can be read in my next blog, somewhere later this week.
Secondly, I think Wolfram is a well-respected and one of the best and most innovating artists of electronic music around. By means of compositions as well as sound creation.
When I talked with him about the plans I had to organise this upcoming concert evening, he was very excited to perform at such a wonderful location.

I have already had the privilege to listen to the upcoming Spyra-album: "Staub" (which hopefully is available at "Chill at the Castle - Electric Edition"). The result is a wonderful album where 6 rather minimalistic but powerful electronic music pieces are being exposed. Wolfram Spyra did a lot of raw sequencing and oscillating and went back in time and back to basic to re-invent himself.
This release might definitely appeal listeners of 'Berliner Schule', but is also in the likes of for example the music of Nils Frahm and Ölafur Arnalds.

From the "Chill at the Castle - Electric Edition" press information:

Wolfram Spyra (1964) is a composer of electronic music, sound artist born in Eschwege in Germany. Sound is his art form. He has worked for film, television, theatre, dance and as sound designer.
Spyra began his career in the early 1990s constructing soundscapes and installations around Germany. He has collaborated with a wide range of visual artists, musicians, producers and DJs and released several albums, starting in 1995 with “Homelistening Is Killing Clubs”.
Spyra’s focus is on electronic music. While sometimes experimental, most of his music has a certain acces-sibility in terms of the rhythmic and melodic components.
Spyra’s new album will be released in June 2014 and reveals the complexity and strangeness in analog synthesis. He calls his new found genre ‘post-electronic’. The record will have its world-wide live premiere at “Chill at the Castle - Electric Edition” at the Ruïns of Brederode on June 27th.

Within a couple of days the last blog will be dedicated to Planet of the Arps.

Facebook: https://www.facebook.com/SpyraMusic

For all information about "Chill at the Castle - Electric Edition" and ticket sales:
www.desertedislandmusic.nl/brederode

"Chill at the Castle - Electric Edition" - Free Arts Lab

Only 9 days to go to the concert evening I am organising at the Ruïne van Brederode, so the coming days I will write some blog items about this upcoming event and related activities.
Last time I already supplied all global details and information about the event, so now it's time to light out the performing acts.

Starting with the opening act of "Chill at the Castle - Electric Edition": Free Arts Lab.

Somewhere in 2013 I was being asked to do a concert in Theater De Wegwijzer in Zeeland (in the south-west of the Netherlands).
January 10th, 2014, this concert took place, and it opened new paths for future electronic music performances in this small theatre in near future.
When I constructed the show for this evening, I had various ideas about the performance.
In the first place the show should be more than just me playing synthesizers. Which might be rather boring to look at, especially at such a location.
So I decided to include visuals, which I compiled carefully to fit with the music to be performed.
Secondly the performance itself had to be dynamic, should sound more organic and must also be interesting to look at. To solve this issue, I invited two friends, who were capable of involving their musical skills and visions into my music.
Martijn Scholte (guitar/bowed guitar) and Jeroen Hagen (drums/percussion) joined the line-up, and after the concert we all decided to continue our collaboration. "Free Arts Lab" (which refers to the famous Zodiak Free Arts Lab) was born.

During the Theater De Wegwijzer concert, we performed around 90 minutes. Containing existing and released tracks, as well as new - especially for this ocassion - recorded music.
For "Chill at the Castle - Electric Edition" and for concerts later this year, we have been very busy rehearsing an adjusted setlist, which contains a selection from the Zeeland-concert, as well as some fresh new tracks and improvisations.

Here you can read the official press information for "Chill at the Castle - Electric Edition", which covers the complete story and background information so far:

The group Free Arts Lab is founded in 2014 in Haarlem by Remy Stroomer (keyboards/ synthesizers), Martijn Scholte (guitar/bowed guitar) and Jeroen Hagen (drums/percussion). All three come from a different musical background.
With Remy’s electronic and ambient compositions, the name refers to the Zodiak Free Arts Lab or ‘Zodiak Club’. This club in Berlin once was a place where musicians were unlimited in developing their experimentation. From the same point of view and free state of mind of musical creativity, Free Arts Lab combines different art forms together in live performances and studio recordings.

Remy Stroomer (1979, keyboards/synthesizers/compositions) starts to take keyboard-lessons at the age of nine and around the same time, he creates his first compositions. At the end of 1999, Remy’s first album “Exhibition of Dreams” is released as a double-cdr on the independent AKH Records and that marks the start of a enduring career as an award winning solo-artist. Besides, Remy also collaborated with Ron Boots, Synth.nl (Michel van Osenbruggen), Gert Emmens and My Breath My Music. He has released thirteen solo-albums under his own name.

Martijn Scholte (1978, guitar/bowed guitar) has played and sang in various poprock and progressive rockbands, besides his singer-songwriting. His musical inspirations are mainly This will destroy you, Pearl Jam, Led Zeppelin, Helios, Sigur Rós, Hammock, Patrick Watson, Gravenhurst, Porcupine Tree, Pink Floyd and Radiohead. By combining and experimenting with a variety of styles, Scholte aims at a wide sound. His choice for bowed guitar stems from his affection for Sigur Rós’ music and his love for the cello. This results in an extra dimension and a soundscape from his guitar.

Jeroen Hagen (1970, drums/percussion) has a broad interest for music and art. His musical foundation is influenced by bands from the sixties, the early seventies and the nineties. He has been part of several bands, covering symphonic rock, rock, grunge and folk, mainly from the Rotterdam-area. His most important influences are The Beatles, The Jimi Hendrix Experience, Yes, Bob Dylan, The Who, Neil Young, Stone Temple Pilots, Norman Cook, Pearl Jam, Weezer, Johnny Cash and The Black Crowes.




Official website: www.freeartslab.nl

Audio:



Next blog items will be about Wolfram Spyra and Planet of the Arps.

For all information about "Chill at the Castle - Electric Edition" and ticket sales:
www.desertedislandmusic.nl/brederode

Chill at the Castle - Electric Edition

As you could have read in my previous blog post, I am organising an music evening at a very special location.
Here is all information:

On the evening of Friday June 27th, 2014, Deserted Island Music and Heerlijkheid Brederode present:

“CHILL AT THE CASTLE - ELECTRIC EDITION”

A magical evening at the historic location of the Ruïns of Brederode, situated in Santpoort-Zuid (just outside of Haarlem), featuring a wide range of live electronic music performed by the finest musicians in the electronic music scene around:

• Free Arts Lab (Remy Stroomer, Jeroen Hagen, Martijn Scholte)
• Wolfram Spyra
• Planet of the Arps (Remy Stroomer and Wolfram Spyra)

The Castle of Brederode was founded in the second half of the 13th century.
In between 1351 and 1573 the castle did undergo several attacks and pillages. And in the 19th century the remains were one of the first buildings to be restored by the government, and the became the first national monument of the Netherlands.

The concert site offers place for around 200 people, seated in front of the stage, which is situated in front of the large wall of what once was the kitchen.

Information and tickets: www.desertedislandmusic.nl/brederode

FREE ARTS LAB
The group Free Arts Lab is founded in 2014 in Haarlem by Remy Stroomer (keyboards/ synthesizers), Martijn Scholte (guitar/bowed guitar) and Jeroen Hagen (drums/percussion). All three come from a different musical background. With Remy’s electronic and ambient compositions, the name refers to the Zodiak Free Arts Lab or ‘Zodiak Club’. This club in Berlin once was a place where musicians were unlimited in developing their experimentation. From the same point of view and free state of mind of musical creativity, Free Arts Lab combines different art forms together in live perform-ances and studio recordings.

Remy Stroomer (1979, keyboards/synthesizers/compositions) starts to take keyboard-lessons at the age of nine and around the same time, he creates his first com-positions. At the end of 1999, Remy’s first album “Exhibition of Dreams” is released as a double-cdr on the independent AKH Records and that marks the start of a enduring career as an award winning solo-artist. Besides, Remy also collaborated with Ron Boots, Synth.nl (Michel van Osenbruggen), Gert Emmens and My Breath My Music. He has released thirteen solo-albums under his own name.

Martijn Scholte (1978, guitar/bowed guitar) has played and sang in various poprock and progressive rockbands, besides his singer-songwriting. His musical inspirations are mainly This will destroy you, Pearl Jam, Led Zeppelin, Helios, Sigur Rós, Hammock, Patrick Watson, Gravenhurst, Porcupine Tree, Pink Floyd and Radiohead. By combining and experimenting with a variety of styles, Scholte aims at a wide sound. His choice for bowed guitar stems from his affection for Sigur Rós’ music and his love for the cello. This results in an extra dimension and a soundscape from his guitar.

Jeroen Hagen (1970, drums/percussion) has a broad interest for music and art. His musical foundation is influenced by bands from the sixties, the early seventies and the nineties. He has been part of several bands, covering symphonic rock, rock, grunge and folk, mainly from the Rotterdam-area. His most important influences are The Beatles, The Jimi Hendrix Experience, Yes, Bob Dylan, The Who, Neil Young, Stone Temple Pilots, Norman Cook, Pearl Jam, Weezer, Johnny Cash and The Black Crowes.

REMY discography
Exhibition of Dreams (1999), The Art of Imagination (2000), DisConnected (2003), Connected (2003), Different Shades of Dust (2004), Sense (2006), This is not the End (2008), EoD (2009), Exhibition of Dreams - 10th Anniversary (2010), i-Dentity (2011), The Great Church Trilogy (2011), PrimiTiveS (2013, met Synth.nl), Sessions 2012 (2013, with My Breath My Music).

WOLFRAM SPYRA
Wolfram Spyra (1964) is a composer of electronic music, sound artist born in Eschwege in Germany. Sound is his art form. He has worked for film, television, theatre, dance and as sound designer.
Spyra began his career in the early 1990s constructing soundscapes and installations around Germany. He has collaborated with a wide range of visual artists, musicians, producers and DJs and released several albums, starting in 1995 with “Homelistening Is Killing Clubs”.
Spyra’s focus is on electronic music. While sometimes experimental, most of his music has a certain acces-sibility in terms of the rhythmic and melodic components.
Spyra’s new album will be released in June 2014 and reveals the complexity and strangeness in analog synthesis. He calls his new found genre ‘post-electronic’. The record will have its world-wide live premiere at “Chill at the Castle - Electric Edition” at the Ruïns of Brederode on June 27th.

Spyra discography
Homelistening Is Killing Clubs (1995), Phonehead (1997), My Little Garden of Sounds (1997), Future of the Past (1997), Sferics (1998), Etherlands (1999), Elevator To Heaven (2001), Invisible Fields (2003), Meditationen (2005), Orphan Waves (2006), High Phidelity (2007), Gasoline - 91 Octane (2008), January in June (2009), No Beats For One Hour (2010), tba (2014).

PLANET OF THE ARPS
As the ‘grand finale’ of this evening at the ruin, Wolfram Spyra will join Remy Stroomer for a real-time rework of Remy’s one hour ambient piece “Planet of the Arps”.
This original composition dates from 2010 and has been performed live by Remy at the Zeiss Planetarium in Bochum (Germany) in September 2012.
From the time the musical piece was finished, Remy wanted Wolfram to rework this track.
Now, four years later, this project has finally brought both artists together and an excerpt of this piece will be created live at the ruin.