Saturday September 15th I will be premiering a completely new ambient project, called "Planet of the Arps", at the Bochum Planetarium.
The piece is a work in progress from 2010, and has been 'perfected' since then.
It consists of music which doesn't entirely fit into the REMY-tradition, so I decided to give it another name.
There was no intention to do something that hasn't been done already, but I 'just' wanted to create a piece of ambient music in the style of for example the well-known "Dark Side of the Moog" series bij Klaus Schulze and Pete Namlook.
"Planet of the Arps" refers to the sci-fi movie Planet of the Apes, Arps (galaxies) as collected by Dr. Halton C. Arp, synthesizer manufacturer Arp, and the musical term 'arpeggio'.
I decided to specifically perform this piece on this special evening at the planetarium, because I think the project fits perfectly into these universal circumstances, accompanied by visuals from space.
Also performing this evening: Moonbooter.
At the end of the evening, we will do a session together.
Tickets and information: http://www.planetarium-bochum.de/de_DE/calendar/detail/10653524
Besides the performance of "Planet of the Arps" there is also been worked on a cd release of it, with the cooperation of a familiar name in the EM/ambient-scene. To be continued...
woensdag 15 augustus 2012
woensdag 1 augustus 2012
Project with "My Breath My Music"
Friday I am going to participate in a very special and challenging project.
In cooperation with "My Breath My Music" there is initiated a session together with some of the students of this establishment.
I have prepared some music, on which we will do improvisations. Really looking forward how things will work out!
The purpose of "My Breath My Music" is to offer people with severe physical disabilities a possibility to make music with for example self-developed electronic instruments.
The main target is people with a muscle desease.
Electronic wind instruments enable disabled people to play an instrument. It also is an effective way to practice the lungs, which is very important for the targetted group.
An especially developed instrument is the Magic Flute. Here is some information, taken from the manual:
The Magic Flute was originally designed as an adaptive musical instrument for people with little or no arm movement - with the goal of allowing people with a wide range of disabilities the ability to perform live electronic music that can be at the highest professional quality. It is also an exciting and rewarding way for people who have limited lung function to carry out Breathing Exercises that will never become tedious to them.
The Magic Flute is not only an instrument but also acts as the remote control for the Control Module (sip & puff).
Detailed information (in Dutch) about "My Breath My Music" and the magic flute can be found on: http://www.mybreathmymusic.com/
In cooperation with "My Breath My Music" there is initiated a session together with some of the students of this establishment.
I have prepared some music, on which we will do improvisations. Really looking forward how things will work out!
The purpose of "My Breath My Music" is to offer people with severe physical disabilities a possibility to make music with for example self-developed electronic instruments.
The main target is people with a muscle desease.
Electronic wind instruments enable disabled people to play an instrument. It also is an effective way to practice the lungs, which is very important for the targetted group.
An especially developed instrument is the Magic Flute. Here is some information, taken from the manual:
The Magic Flute was originally designed as an adaptive musical instrument for people with little or no arm movement - with the goal of allowing people with a wide range of disabilities the ability to perform live electronic music that can be at the highest professional quality. It is also an exciting and rewarding way for people who have limited lung function to carry out Breathing Exercises that will never become tedious to them.
The Magic Flute is not only an instrument but also acts as the remote control for the Control Module (sip & puff).
Detailed information (in Dutch) about "My Breath My Music" and the magic flute can be found on: http://www.mybreathmymusic.com/
zondag 29 juli 2012
Dominique Perrier - Tribute to Space Art - showcases
Recently I have been in contact with C.Zen Prod about the upcoming project of Dominique Perrier (Jean Michel Jarre, Space Art, Stone Age).
In the first place we've agreed a distributional deal for his new album (due to September), to be released on cd and lp, and which will be available for shipping from http://www.desertedislandmusic.nl/, from September 22nd.
Secondly I was asked to have a look at the possibilities for any showcases and album presentations.
Thanks to the cooperations of the organisations of the Electronic Circus and E-Live Festivals, there are arranged some nice opportunities for the audience to get in contact with Dominique and his music.
Besides the already planned showcase in Spain in October, Dominique will also make his appearance at the following events:
Electronic Circus, September 22nd, 2012, Die Weberei, Gütersloh, Germany
www.electronic-circus.net
Dominique Perrier (keys), Michel Valy (bass) and Alain Pype (sound designer, drums) will perform a 30-minutes showcase, playing tracks from the new "Tribute to Space Art" album, as well as one or two "classic" Space Art tracks.
After the main act (Gandalf) has been finished, the musicians from France will be entering the stage (approx. 23:15). See the festival's website for all details.
During the day, the new album should be available at the Deserted Island Music stall, Dominique will do a signing session, and there will also be some interview sessions for present press*.
E-Live Festival, October 27th, 2012
www.e-live.nl
Dominique Perrier will be present during this day for an album presentation and signing session (at the Deserted Island Music stall), and interviews with press*. Announcement will follow shortly.
The promotional tour should end with a couple of (yet to be confirmed) showcases in France.
* If you are representing a magazine, weblog, radiostation, or are involved into any other related and dedicated business, you can already request an interview by sending me a private message. Invitations will be sent out soon.
Press information:
Dominique Perrier (keyboards) and Roger Rizzitelli (drums) are SPACE ART.
With 3 million albums sold and nominated for the Victoires de la Musique, you have very probably heard about this French group.
After the eponymous mythical 1977 record of which "Onyx" is the extracted title headlight, "Trip in the Centre Head" (1979) and "Play Back" (1980) followed. Then, a long silence. Tours, collaborations, film music and the foundation of another band, STONE AGE.
After the 2009 re-edit of "SPACE ART" and some single releases, Dominique starts to work on new compositions. In connection with the unexpected passing of Roger Rizzitelli, "Revised" was launched in 2010, containing Dominique's dedicated new track "Serenad".
In 2012 Dominique Perrier decides to release a new project: "Space Art Tribute".
Recorded at Ferber Studio in Paris, the 14 titles of this new album consists of new compositions.
Except "Asturias", which is a remix, arranged by Dominique Perrier. For this track several friends came to join the adventure: Laurent Faucheux (drums), Patrick Rondat (guitar), Michel Valy - faithful fellow member of STONE AGE (bass). Sonorities purely SPACE ART with two text interpreted by Janet Woollacott.
To note an exceptional participation of Jean Michel Jarre on one of the titles of the album.
Invited for showcases, Dominique Perrier, accompanied by Michel Valy (bass) and Alain Pype (sound designer and drums), launches an European promotional tour, which will start on September in Germany, then Spain and Netherlands in October, and end in France for several dates.
(press information by C.Zen Prod; adjusted by Remy Stroomer)
In the first place we've agreed a distributional deal for his new album (due to September), to be released on cd and lp, and which will be available for shipping from http://www.desertedislandmusic.nl/, from September 22nd.
Secondly I was asked to have a look at the possibilities for any showcases and album presentations.
Thanks to the cooperations of the organisations of the Electronic Circus and E-Live Festivals, there are arranged some nice opportunities for the audience to get in contact with Dominique and his music.
Besides the already planned showcase in Spain in October, Dominique will also make his appearance at the following events:
www.electronic-circus.net
Dominique Perrier (keys), Michel Valy (bass) and Alain Pype (sound designer, drums) will perform a 30-minutes showcase, playing tracks from the new "Tribute to Space Art" album, as well as one or two "classic" Space Art tracks.
After the main act (Gandalf) has been finished, the musicians from France will be entering the stage (approx. 23:15). See the festival's website for all details.
During the day, the new album should be available at the Deserted Island Music stall, Dominique will do a signing session, and there will also be some interview sessions for present press*.
E-Live Festival, October 27th, 2012
www.e-live.nl
Dominique Perrier will be present during this day for an album presentation and signing session (at the Deserted Island Music stall), and interviews with press*. Announcement will follow shortly.
The promotional tour should end with a couple of (yet to be confirmed) showcases in France.
* If you are representing a magazine, weblog, radiostation, or are involved into any other related and dedicated business, you can already request an interview by sending me a private message. Invitations will be sent out soon.
Press information:
Dominique Perrier (keyboards) and Roger Rizzitelli (drums) are SPACE ART.
With 3 million albums sold and nominated for the Victoires de la Musique, you have very probably heard about this French group.
After the eponymous mythical 1977 record of which "Onyx" is the extracted title headlight, "Trip in the Centre Head" (1979) and "Play Back" (1980) followed. Then, a long silence. Tours, collaborations, film music and the foundation of another band, STONE AGE.
After the 2009 re-edit of "SPACE ART" and some single releases, Dominique starts to work on new compositions. In connection with the unexpected passing of Roger Rizzitelli, "Revised" was launched in 2010, containing Dominique's dedicated new track "Serenad".
In 2012 Dominique Perrier decides to release a new project: "Space Art Tribute".
Recorded at Ferber Studio in Paris, the 14 titles of this new album consists of new compositions.
Except "Asturias", which is a remix, arranged by Dominique Perrier. For this track several friends came to join the adventure: Laurent Faucheux (drums), Patrick Rondat (guitar), Michel Valy - faithful fellow member of STONE AGE (bass). Sonorities purely SPACE ART with two text interpreted by Janet Woollacott.
To note an exceptional participation of Jean Michel Jarre on one of the titles of the album.
Invited for showcases, Dominique Perrier, accompanied by Michel Valy (bass) and Alain Pype (sound designer and drums), launches an European promotional tour, which will start on September in Germany, then Spain and Netherlands in October, and end in France for several dates.
(press information by C.Zen Prod; adjusted by Remy Stroomer)
zondag 3 juni 2012
Another studio session with Synth.nl
Yesterday I did another very productive and satisfying studio session together with Synth.nl / Michel van Osenbruggen in his Apollo studio.
This time we started listening to all the material which should appear on our forthcoming collaboration album, while making critical notes for changes and adjustments for each of the tracks.
It's nice to find out that we agreed on most of these notes.
One of the tracks seemed not to fit into the whole concept, but we radically changed this one which resulted into a completely different track, which does fit into the project now!
For a large part we have in mind what to do with most of the tracks to get them sound like the way we want.
And we are still struggling with another track. This one still needs a lot of work, but Michel told me everything's gonna be all right, so I will rely on that!:-)
At this right moment we have 10 tracks with a total length of 79 minutes to fill the album.
I assume the length will be slightly shortened during the editing process.
All in all the progress of the project is going very well, and although there is still a lot of work to do, we are still on schedule for the release of the album befire the end of the year.
I will keep you posted!
maandag 21 mei 2012
Return of Planet X
Saturday evening it was showtime for a very special project Ron Boots and I have been working on for quite a while.
I performed three times earlier at the great location of the Grote of St.Bavokerk / Great Church of Haarlem, which I concluded with a cd release of this trilogy, last year. In the meanwhile Ron and I discussed the possibilities to organise a music only evening at this same location. Ron playing his music, me playing my music, and concluding the show with a collaboration. No idea about the exact content yet...
As soon as the date of May 19th was set, things became more and more concrete, and I decided to perform again with strings. In 2008 two cello players were part of my performance, and this time I chose to include two violins and one cello into the line-up. Ron had plans to involve a ten-piece choir, which was confirmed in a rather late stage of the project's preparations.
Ron didn't feel much for the inclusion of the Müller organ into the concert evening in first instance, but I thought that it should be an absolutely needed addition to the show. I discussed the use of it with Eric van der Heijden, and finally we decided that we should do our very best to collect the neccesary amount of money to realise this.
About only two weeks before the concert the line-up was finally completed, with the addition of the ten-piece choir and the worldfamous Müller organ.
Around 4 PM the installation of the equipment in front of the huge Müller organ was started. 7 PM everything should have been ready, to have another 45 minutes to 'relax' before my part of the evening should start. Due to a couple of technical issues, we started a couple of minutes later.
Then slightly before 8 PM, the strings trio started to play their first notes, which marked the beginning of my set, and so the start of the evening! My setup consisted of: Access Virus TI, Korg M1, MemoryMoog, Novation Supernova 2, Roland D70, Roland JV880, and I made use of a grand piano! As far as I could judge from the sound from my position and my own experience during my performance, things went fine for the largest part. From time to time I've had contact with the strings trio, which seemed to control their parts, and which gave me the opportunity to let me do my own thing. Halfway my set, I noticed the stability (all 6 voices tuned!) of my MemoryMoog (which I didn't expect at all), which gave me the opportunity to use it more than planned.
I had two options in mind to end my musical piece: concluding with a solo on the grand piano, or leaving the end as it was, with the ending of the sequencer track. After all, I decided to replace these two options by a MemoryMoog ending! My first job was done.
Time to relax a bit while the first break took place and - again some later than expected - Ron Boots kicked off his concert with some late 70's Klaus Schulze inspired music. Starting with a whispering choir, continued by soft synth pads, and later on the introduction of strong sequencer lines. Besides playing his synths, Eric van der Heijden also conducted the choir, and Harold van der Heijden gave Ron's set a boost with his electronic drums. Great stuff, which worked out very well in the ambience of the church.
In the meanwhile the evening outside caused the neccessary darkness inside the church, and the present lightshow and smoking machine reached their maximum effect.
Because the programme delayed about half an hour, and taking knowledge of the fact that we absolutely should have finished the concert at 11 PM, there was decided to continue the third part of the show without the planned second break. In the end this maybe was too intensive, but this decision was taken to get the maximum out of this evening!
Starting the completely improvised part with a quatre mains piece by Ron and me on the grand piano. Followed by an ambient piece, continued by some sequencing. After this Eric performed one of his pieces, and then it was time for the grand finale. Ron and Eric started to build some layered pads combined with V-Synth vocals, while I made my way up to the Müller organ. Although Anton Pauw (the Church's organist) taught me the basics in short, it was kind of guessing what was going to happen when pulling certain registers of this amazing instrument. In the end everything worked out in a more or less very natural way, and all elements of the evening seem to come together perfectly in the end.
In my opinion it was an evening which was above our (the organisation) expectations. Besides this the audience was very enthusiastic too (including a lot who weren't familiar at all with the kind of music that was being exposed last Saturday)!
An surprising amount (200+) international audience (from the Netherlands, Germany, Belgium and even U.K.), a great atmosphere and no mentionable problems, made it a memorable evening.
The coming time I will listen and watch to all recordings that have been made.
After this we will see what's possible for an eventual release, and maybe more interesting... a sequel of Saturday evening... Time will tell...
At last I would like to thank all who participated and made this very special evening possible! No names, because there are too much, but resumed: Crew, musicians, church crew, catering, press, media, and of course: the audience!
Featured photos were taken by Andre Stooker and Phil Booth.
I performed three times earlier at the great location of the Grote of St.Bavokerk / Great Church of Haarlem, which I concluded with a cd release of this trilogy, last year. In the meanwhile Ron and I discussed the possibilities to organise a music only evening at this same location. Ron playing his music, me playing my music, and concluding the show with a collaboration. No idea about the exact content yet...
As soon as the date of May 19th was set, things became more and more concrete, and I decided to perform again with strings. In 2008 two cello players were part of my performance, and this time I chose to include two violins and one cello into the line-up. Ron had plans to involve a ten-piece choir, which was confirmed in a rather late stage of the project's preparations.
Ron didn't feel much for the inclusion of the Müller organ into the concert evening in first instance, but I thought that it should be an absolutely needed addition to the show. I discussed the use of it with Eric van der Heijden, and finally we decided that we should do our very best to collect the neccesary amount of money to realise this.
About only two weeks before the concert the line-up was finally completed, with the addition of the ten-piece choir and the worldfamous Müller organ.
Around 4 PM the installation of the equipment in front of the huge Müller organ was started. 7 PM everything should have been ready, to have another 45 minutes to 'relax' before my part of the evening should start. Due to a couple of technical issues, we started a couple of minutes later.
Then slightly before 8 PM, the strings trio started to play their first notes, which marked the beginning of my set, and so the start of the evening! My setup consisted of: Access Virus TI, Korg M1, MemoryMoog, Novation Supernova 2, Roland D70, Roland JV880, and I made use of a grand piano! As far as I could judge from the sound from my position and my own experience during my performance, things went fine for the largest part. From time to time I've had contact with the strings trio, which seemed to control their parts, and which gave me the opportunity to let me do my own thing. Halfway my set, I noticed the stability (all 6 voices tuned!) of my MemoryMoog (which I didn't expect at all), which gave me the opportunity to use it more than planned.
I had two options in mind to end my musical piece: concluding with a solo on the grand piano, or leaving the end as it was, with the ending of the sequencer track. After all, I decided to replace these two options by a MemoryMoog ending! My first job was done.
Time to relax a bit while the first break took place and - again some later than expected - Ron Boots kicked off his concert with some late 70's Klaus Schulze inspired music. Starting with a whispering choir, continued by soft synth pads, and later on the introduction of strong sequencer lines. Besides playing his synths, Eric van der Heijden also conducted the choir, and Harold van der Heijden gave Ron's set a boost with his electronic drums. Great stuff, which worked out very well in the ambience of the church.
In the meanwhile the evening outside caused the neccessary darkness inside the church, and the present lightshow and smoking machine reached their maximum effect.
Because the programme delayed about half an hour, and taking knowledge of the fact that we absolutely should have finished the concert at 11 PM, there was decided to continue the third part of the show without the planned second break. In the end this maybe was too intensive, but this decision was taken to get the maximum out of this evening!
Starting the completely improvised part with a quatre mains piece by Ron and me on the grand piano. Followed by an ambient piece, continued by some sequencing. After this Eric performed one of his pieces, and then it was time for the grand finale. Ron and Eric started to build some layered pads combined with V-Synth vocals, while I made my way up to the Müller organ. Although Anton Pauw (the Church's organist) taught me the basics in short, it was kind of guessing what was going to happen when pulling certain registers of this amazing instrument. In the end everything worked out in a more or less very natural way, and all elements of the evening seem to come together perfectly in the end.
In my opinion it was an evening which was above our (the organisation) expectations. Besides this the audience was very enthusiastic too (including a lot who weren't familiar at all with the kind of music that was being exposed last Saturday)!
An surprising amount (200+) international audience (from the Netherlands, Germany, Belgium and even U.K.), a great atmosphere and no mentionable problems, made it a memorable evening.
The coming time I will listen and watch to all recordings that have been made.
After this we will see what's possible for an eventual release, and maybe more interesting... a sequel of Saturday evening... Time will tell...
At last I would like to thank all who participated and made this very special evening possible! No names, because there are too much, but resumed: Crew, musicians, church crew, catering, press, media, and of course: the audience!
Featured photos were taken by Andre Stooker and Phil Booth.
zaterdag 12 mei 2012
Final preparations for the Great Church performance
Another week to go before the Great Church performance (which I am organising together with Ron Boots) on May 19th. Preparations are going quite well, the music is finished for 99% and the rehearsals with the strings for my part of the show are also going according to schedule!
As it's now, the line-up for the upcoming concert evening couldn't have been any more complete and exciting than is the case at this moment. Besides featuring synthesizers and other electronics, grand piano, percussion, strings trio, and 10-piece choir, there will be made use of the world famous C.Müller organ.
In my opinion it's a great line-up, at a very special location with great acoustics; a combination which you wouldn't find very often during a concert. Besides that (and definitely not less important) the musical programme is going to be very varied. So probably you can understand I am very, very excited about all things to come next weekend.
To make it all complete, I really hope all of you are able and willing to come and experience this unique evening, and support us (the artists). Tickets are only 12 euros.
Here is a selection of some upcoming media features about the concert:
- Gonzo Circus #109;
- May 13th: Concertzender's X-Rated (exclusive music and more...);
- Interview Haarlems Dagblad, which should be published somewhere next week.
And here are details about the concert:
"The Return of Planet X" - Ron Boots, REMY & friends
Live at the Grote of St.Bavokerk / Great Church of Haarlem
Saturday May 19th, 2012
Schedule
19:00 Doors open
19:45 - 20:45 Concert REMY
20:45 - 21:05 Break
21:05 - 21:55 Concert Ron Boots
21:55 - 22:15 Break
22:15 - 23:00 Concert REMY & Ron Boots
Tickets
Tickets (12 euros) are available from:
Internet: http://shop.desertedislandmusic.nl/greatchurch
Physical: Great Church of Haarlem, Grote Markt, Haarlem / VVV, Verwulft, Haarlem
More information
Website: www.desertedislandmusic.nl/greatchurch
Information and contact: info@desertedislandmusic.nl
Tickets (12 euros) are available from:
Internet: http://shop.desertedislandmusic.nl/greatchurch
Physical: Great Church of Haarlem, Grote Markt, Haarlem / VVV, Verwulft, Haarlem
More information
Website: www.desertedislandmusic.nl/greatchurch
Information and contact: info@desertedislandmusic.nl
maandag 16 april 2012
Awakenings
While being in the ferry on my way back to the Netherlands for the next couple of hours, there's some time to write down my experiences of Saturday (April 14th) evening's Awakenings, in Burton-on-Trent.
Although having been in the U.K. a couple of times before, it was my first time driving with a car here.
Strange experience, but I got used to the situation quite quickly.
Friday we (Paulien and me) took the ferry from Hook of Holland to Harwich, and had an excellent overnight in Colchester. We've had all the time to prepare our trip to the West Midlands and so took our time to enjoy this trip to the wonderful hilly environment.
Once arrived at the Paget High School in Burton upon Trent - where my concert was going to take place - we've met up with the organisation, crew and other musicians, and there was plenty of time to install my setup for that evening.
The used synths: Roland D70 (piano and Fairlight vox), Access Virus TI (solo lead sounds), Korg 01W/FD (FX and masterkeyboard for the Virus TI) and (indeed) the Novation Supernova II (solo leads).
After the soundchecks and before the first concert was going to take place on 19:00 GMT, we got some food at a local fish and chips. Actually this was quite bad, but o.k., it was more or less eatable!
Because Paulien and I stayed the night after the concert in Derby, we hurried to the hotel because we needed to check in before 20:00.
When getting back to the venue, we missed the first 15/20 minutes of the ambient concert of Peter Challoner.
It was a nice start of an evening with a lot of variation. Secondly, after a short break, Steve Dinsdale (which I strangely had never met before, although I have witnessed the concert he did with Radio Massacre International during E-Live in 2008) started his performance. A very interesting orchestral / percussional beginning of his concert, and after that a mix of old and new material passed the revue. Nice!
After Steve's set of about an hour, another break followed, and my concert was being announced at around 21:30. Showtime!
I've prepared a set of 75 minutes (of which 60 minutes were exclusively composed for this opportunity), which could be best described as a mix of the recent "i-Dentity" and 2008's "This is not the End". It was for the first time ever that my live music was accompanied with (custom made) visuals.
Together with my sister Irene, there has been put a lot of time and energy into the making of the video (which is a compilation of various edited clips I've actually selected on YouTube). Thanks to the advise of Awakenings organisator Jez, the use of visuals made a significant contribution to probably one of my own concerts I've enjoyed the most. According to all reactions it was great to notice that the audience (who were rather unknown with my music) enjoyed it a lot too.
As soon as I've finished my regular gig, there was being asked to do an encore, which I didn't prepare at all.
So I made use of some Supernova II arpeggios (which I programmed for a previous performance) and soloing, in combination with a 01W pad/fx to start a 100% improvisation.
The playlist:
1. Awakenings - part 1
2. Awakenings - part 2
3. Awakenings - part 3
4. Awakenings - part 4
5. Awakenings - part 5
6. MMIX a.D.
7. Requiem
8. Encore (improvisation)
In the end it was time to say goodbye and all equipment had to be loaded into the car again, and we headed again to Derby, this time for our second overnight. With the typical English breakfast we couldn't have had a better start of the day.
After the breakfast we went to visit Birmingham, the second largest city of the U.K. It was a nice city to have been to once! In the afternoon we drove to Clacton on Sea to have our final overnight of this little holiday.
I have enjoyed an excellent first Awakenings, which was definitely worth the trip. It would be great to perform there again in future!
It was a pleasure to expose my music for an audience which mainly experienced my music for the first time.
I would like to thank Jez, all involved, and the audience for another unforgettable abroad concert experience. The next to come on September 15th, at the Planetarium in Bochum, Germany. But for now I have to focus on the concert I am organising together with Ron Boots in the Great Church of my former hometown Haarlem. Hope to see you there!
Although having been in the U.K. a couple of times before, it was my first time driving with a car here.
Strange experience, but I got used to the situation quite quickly.
Friday we (Paulien and me) took the ferry from Hook of Holland to Harwich, and had an excellent overnight in Colchester. We've had all the time to prepare our trip to the West Midlands and so took our time to enjoy this trip to the wonderful hilly environment.
Once arrived at the Paget High School in Burton upon Trent - where my concert was going to take place - we've met up with the organisation, crew and other musicians, and there was plenty of time to install my setup for that evening.
The used synths: Roland D70 (piano and Fairlight vox), Access Virus TI (solo lead sounds), Korg 01W/FD (FX and masterkeyboard for the Virus TI) and (indeed) the Novation Supernova II (solo leads).
After the soundchecks and before the first concert was going to take place on 19:00 GMT, we got some food at a local fish and chips. Actually this was quite bad, but o.k., it was more or less eatable!
Because Paulien and I stayed the night after the concert in Derby, we hurried to the hotel because we needed to check in before 20:00.
When getting back to the venue, we missed the first 15/20 minutes of the ambient concert of Peter Challoner.
It was a nice start of an evening with a lot of variation. Secondly, after a short break, Steve Dinsdale (which I strangely had never met before, although I have witnessed the concert he did with Radio Massacre International during E-Live in 2008) started his performance. A very interesting orchestral / percussional beginning of his concert, and after that a mix of old and new material passed the revue. Nice!
After Steve's set of about an hour, another break followed, and my concert was being announced at around 21:30. Showtime!
I've prepared a set of 75 minutes (of which 60 minutes were exclusively composed for this opportunity), which could be best described as a mix of the recent "i-Dentity" and 2008's "This is not the End". It was for the first time ever that my live music was accompanied with (custom made) visuals.
Together with my sister Irene, there has been put a lot of time and energy into the making of the video (which is a compilation of various edited clips I've actually selected on YouTube). Thanks to the advise of Awakenings organisator Jez, the use of visuals made a significant contribution to probably one of my own concerts I've enjoyed the most. According to all reactions it was great to notice that the audience (who were rather unknown with my music) enjoyed it a lot too.
As soon as I've finished my regular gig, there was being asked to do an encore, which I didn't prepare at all.
So I made use of some Supernova II arpeggios (which I programmed for a previous performance) and soloing, in combination with a 01W pad/fx to start a 100% improvisation.
The playlist:
1. Awakenings - part 1
2. Awakenings - part 2
3. Awakenings - part 3
4. Awakenings - part 4
5. Awakenings - part 5
6. MMIX a.D.
7. Requiem
8. Encore (improvisation)
In the end it was time to say goodbye and all equipment had to be loaded into the car again, and we headed again to Derby, this time for our second overnight. With the typical English breakfast we couldn't have had a better start of the day.
After the breakfast we went to visit Birmingham, the second largest city of the U.K. It was a nice city to have been to once! In the afternoon we drove to Clacton on Sea to have our final overnight of this little holiday.
I have enjoyed an excellent first Awakenings, which was definitely worth the trip. It would be great to perform there again in future!
It was a pleasure to expose my music for an audience which mainly experienced my music for the first time.
I would like to thank Jez, all involved, and the audience for another unforgettable abroad concert experience. The next to come on September 15th, at the Planetarium in Bochum, Germany. But for now I have to focus on the concert I am organising together with Ron Boots in the Great Church of my former hometown Haarlem. Hope to see you there!
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