Friday, October 3rd, Jeroen Hagen, Petter Janse and I did a try-out at the Pletterij in Haarlem for Free Arts Lab's upcoming appearance at this year's final edition of the Awakenings concert series, taking place in Burton-on-Trent (U.K.). This specific edition is called the 'All-Dayer' and features 6 electronic music acts throughout the whole day, instead of 3 evening concerts during the previous editions of 2014.
Early in the afternoon we set up our equipment, did a soundcheck, and we had the time to already play the entire set. It was the first time we rehearsed our show accompanied with the final visuals, which were created exclusively for our show, by Sietse Bruggeling. And it was the first gig in our current line-up.
In the first case this try-out was meant to test and fine-tune our current (relativeley complex) setup. It worked quite well, also thanks to the professional assistance and advise of sound engineer Rob Brakel.
In the end there were made some slight adjustments to our setup.
We decided to create a setup which should make it as comfortable as possible for any PA and sound engineer at any thinkable venue we are performing our music.
Each of the musicians has his own mixer, from which the output is going directly to the PA. Normally any onstage monitoring is being sent from the PA. But we chose to do our own monitoring, via routing through our own mixers.We prepared everything in such a way that it practically doesn't need any adjustments during our show. So only configuring the PA of the venue for the main mix is an issue.
When starting our afternoon sessions, I noticed that my Korg M1's pitch bend joystick was broken.
Quite frustrating, because I really use to use it a lot. In the meanwhile I replaced the joystick with a working one from one of my spare M1's, so I am glad the pitch-bend and modulation control it available again in time for next weekend's Awakenings All-Dayer.
|Free Arts Lab. Seconds before the evening concert.|
After our afternoon session, all sound settings seemed to be satisfying, so we had a very relaxing break while dinner was being served.
Around 20:00 the first people entered the venue. In the meanwhile we changed costumes, and 'prepared' for the evening part. In the end around 30 people attended our try-out. Not bad, because I had no expectations at all.
Slightly past 20:30 the sequencer started, and 72 minutes later we played our last note.
Except for some wrong notes and an improvisation that could have been slightly 'better' (hey, that's live), we left the stage very satisfied.
And we were glad to hear that most of the visitors enjoyed our music and experienced a nice evening too.
Special thanks go out to Arno Duivestein (who offered us the opportunity for this try-out at this really nice and comfortable venue. Which was arranged on a very short term (only two weeks in advance). And Rob Brakel (sound engineer and video registration) from the Pletterij.Both gentlemen were present, helpful and supportive the whole afternoon and evening.
Also many thank to Lionel Calvetti (assistant sound engineer), Angela Boogaard (video registration) and Roni Klinkhamer (cook). The Pletterij crew really made us feel at home.
Thank to Dennis van der Made for arranging the beamer, Jeroen Hagen and Petter Janse for getting involved into this musical journey, Paulien Bouw for her infinite support, and last but not least: big thank you's to all of you who attended our try-out and wished us luck for our upcoming concert in the U.K.